- Andrea
- Oct 21, 2022
- 3 min read
In the original Greek myth of Orpheus and Eurydice, Orpheus descends into the Underworld for a chance to have his beloved Eurydice back. But he loses her forever once his faith falters and he turns around to look at her, so he reunites with her through death, by committing suicide.
Naturally, Orpheus and Eurydice are two different people, but if we were to interpret them as one single person, the implications of someone losing a part of themselves to death, destined to be buried deep down forever...
As a kind of unconventional interpretation, one could look at this story as a metaphor for transgender and cisgender people's forced role in gender expression by the cisheteropatriarchy.
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One reading would see Orpheus and Eurydice as a multi-gendered individual having to choose between one part of their identity over the others.
On the one hand, many would wish multi-gendered people to just "stick" to their assigned (or chosen) role, for Orpheus to stay without Eurydice, when the two are inseparable items.
Even among the queer community, multi-gendered individuals are often pushed to choose one identity, to be put in a neat little box just like the cisheteropatriarchy would.
But multigender people aren't just Orpheus or just Eurydice, they are Orpheus and Eurydice. One can't be without the other.
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Another interpretation would be to read the story as the forced choice trans binary and non-binary people are forced to make once they come out.
As mentioned before, many people wish for trans people to just stick to their assigned roles at birth. Orpheus should stay among the living, and Eurydice should stay among the dead, because that's what the Fates decided.
But Orpheus still goes to find Eurydice, and she waits for him. Perhaps the two were forced apart, like how trans women are forced to leave their feminine identity behind if they want to fit in among the rest of society.
Or perhaps the two switched places, and Orpheus is the one to stay among the dead as Eurydice, who's not properly a woman anymore, as she is dead, is forced to be among people who are not like her.
Just like how trans men are forced to leave their masculine identity at the door, while evidently (especially according to the "normal ones") not being properly women.
This is not how the myth goes, but it's interesting to imagine what would happen in that scenario.
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Many people, though, especially in progressive spaces, accept trans people in a conditional way. So long as we bury whatever masculinity or femininity they have, we might be validated by those who don't know us.
Orpheus is the trans man who has to leave any hint of feminity behind, lest he's deemed not a real man.
Eurydice is the trans man who has to leave any hint of masculinity behind and stay buried underground, lest he's deemed too threatening.
Viceversa, Eurydice is the trans woman who has to leave any hint of masculinity behind and stay buried underground, lest she's deemed threatening.
Orpheus is the trans woman who has to leave any hint of femininity behind, lest she's deemed as a snake slithering into women's spaces, like the thing who killed her.
Orpheus and Eurydice are the non-binary people who have to carefully tip-toe through the Underworld, either accepting feminity or masculinity, usually depending on their assigned role at birth, or sometimes whatever's deemed most acceptable for them.
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Lastly, one could also see Orpheus and Eurydice as an expression of cisgender people's forced roles as well. Despite not expressing their discomfort with them, many cisgender people struggle with their gender identity.
Orpheus is the cisgender man who can't look back at Eurydice and show a hint of femininity because that would mean losing faith in manhood and masculinity, and everyone around him would take personal offense, like scorned gods.
Especially if Orpheus is an Asian or a Jewish man, or attracted to men, despite that being what they expect from him. It's a carefully laid-out trap.
Eurydice is the cisgender woman who can't follow Orpheus if he looks at her, taking a masculine role or appearance would mean losing everything, and everyone around her would reject her and send her back to the Underworld.
Especially if Eurydice is a woman of color or attracted to women, despite that being what they expect from her. It's a carefully laid-out trap.
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Orpheus and Eurydice as a single unit forced into whatever box is seen as fit for them, whether it's their assigned role at birth or the "correct" gender expression (as decided by the council of the gods) is an interpretation that I hope explains how transgender and cisgender people are forced into roles, even by communities that pride themselves in being against those roles.